Shakespeare, the Orient, and the Critics
Autor
Abdulla M. Al-Dabbagh
Stylistically, at the heart of Shakespeare's orientalism are two long-recognized features of his dramatic art: his predilection for reversing stereotypes and his sympathy and identification with the alien and the other. This book investigates the boundaries of oriental framework within works such as "Hamlet", "King Lear", and "The Tempest".