Labyrinth of Hybridities

Explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have reinterpreted O'Neill's questioning of mimesis. This title provides analysis of over forty plays authored by artists such as August Wilson, Suzan-Lori Parks, Hanay Geiogamah, and Chay Yew, to give few examples.